fluid-telegram/docs/adapter-contract.md

129 lines
5.8 KiB
Markdown
Raw Normal View History

# Telegram adapter — connector capability contract
The adapter is an ordinary HTTP service. fluid-core sits in front of it and
asks nothing of it beyond the endpoints below, so it may be written in whatever
suits the platform — grammY on Node is the obvious choice for the Telegram Bot
API.
## What the adapter owns
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
- Rendering a **composed post** into a Telegram message.
- Attaching the post's visual, where the revision calls for one.
- Talking to the Telegram Bot API.
- Custody of the bot token for the duration of a call.
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
- Idempotency: recognising a `post_id` it has already published.
## What the adapter must not do
- Create, rename or delete channels, groups or bots.
- Change membership, administrators or permissions.
- Post to any chat other than the one it is configured with.
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
- **Compose, rewrite, shorten or embellish post text.** The post arrives
written. If it does not fit, refuse it: a composition that exceeds the limit
was not condensed, and deciding what to cut is the composer's judgement.
- Publish a post carrying no `reviewed_by`, or none of the recognised consent
bases. Refuse with 403.
- Log, echo or forward the bot token, including in error messages.
## Endpoints
Exactly the three operations in `contracts/r1.openapi.yaml`, at the same paths.
The gateway validates requests against that contract before the adapter sees
them, so the adapter may assume shape but must still assume hostile content.
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
Note what the contract does **not** accept: a hall entry. The adapter never
reads `hall-of-helix`. Its only knowledge of an entry is the id and URL a post
cites, which it renders as a link.
## Backend capability contract
| Property | Value |
|---|---|
| Backend identity | Telegram Bot API (`api.telegram.org`) |
| Authentication | Bot token, injected at start from OpenBao; never in the image |
| Timeout | 30s per Telegram call |
| Retry | On 429 only, honouring `retry_after`. Never retry a `sendMessage` that may have succeeded |
| Circuit breaker | 5 consecutive failures opens for 60s |
| Rate limits | ~20 messages/minute to a channel; ~30 requests/second overall |
| Error mapping | 429 → 502 with `retry_after` preserved; 400 → 400; network failure → 502 |
| Tenant propagation | None; single tenant |
## The idempotency requirement
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
`POST /v1/channel-posts` is idempotent on `post_id`. The caller is automation
that may be retried, and a duplicate post is not something you can quietly undo
— subscribers have already seen it.
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
The adapter keeps its own mapping from `post_id` to the Telegram message id it
produced. On a repeat call it returns `200` with the existing publication rather
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
than posting again. If the body has changed, it edits the existing message.
A **recomposition** of the same source entry is a new `post_id`, not an edit.
It is a different piece of writing about the same work, and collapsing the two
would lose the comparison between them.
This state is the adapter's, not fluid-core's. The evidence store records that a
publication happened; the adapter records which Telegram messages implement it.
## Rendering rules
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
Telegram formatting is not Markdown. Post Markdown must be converted, not
passed through.
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
| Post construct | Telegram |
|---|---|
| `# Heading` | Bold line |
| `**bold**`, `_italic_` | `<b>`, `<i>` in HTML parse mode |
| Fenced code | `<pre>` |
| Tables | Flattened to lines; Telegram has no table |
| Links | `<a href>` |
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
| Source link | Appended as an attributed link to `source_entry_url` |
Anything the converter cannot represent faithfully must fail the publication
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
rather than degrade it silently.
Two constants regardless of revision: every post carries a link to its source
entry, and every post is attributable. `missing_source_attribution` is a hard
guardrail, and a post that cannot be checked against what the person actually
wrote is the failure this whole arrangement exists to prevent.
**Caption limit.** When the revision attaches a visual (R-2), Telegram caps the
caption at 1024 characters rather than 4096. The adapter must refuse a post
that exceeds the limit for the form it is publishing in, rather than truncating
it — the difference between those two limits is the entire subject of the first
experiment, and silently trimming would destroy the measurement.
## Telemetry the adapter should emit
The gateway observes the request path already. The adapter adds what only it can
see, by POSTing to the control plane's `/control/v1/telemetry`:
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
- `variant` — the composition strategy label the post carried, so engagement
can be attributed to it. This is what lets the campaign compare strategies it
owns without this interface understanding them.
- `unreviewed_publication` — always false in practice, since such a post is
refused; emitted so the guardrail has a series rather than an absence.
- `missing_source_attribution`, `missing_subject_consent` — likewise.
- Telegram rate-limit encounters, as error events with class `backend_failure`.
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
It must not emit subscriber identity in any form, and it must not emit post
body text as telemetry — the body belongs in the publication record, not in the
observation stream.
Engagement metrics (`engagement_rate`, `source_link_rate`, `forward_rate`) come
from Telegram's channel statistics as aggregates, never per-reader.
## Configuration
| Variable | Meaning |
|---|---|
| `TELEGRAM_BOT_TOKEN` | Injected from OpenBao at start |
| `TELEGRAM_CHANNEL_ID` | The channel this adapter publishes to |
| `FLUID_CONTROL_URL` | Where to POST telemetry |
| `HALL_BASE_URL` | Base URL for links back to hall-of-helix |
Reframe the interface around composed posts, not republished entries The channel publishes a post written from a hall entry -- condensed, personal, reach-optimized -- not the entry itself. That changes what this interface is for and where its boundary sits. Composition is deliberately outside the interface. Composing is a probabilistic editorial task, and Blueprint 48.1 forbids an LLM in the mandatory request path, so an interface that composed on demand would be non-deterministic exactly where determinism is the whole claim. It is also editorial: a post speaks about a named person's work in HelixForge's voice, and a review step inside the request path is a review step nobody performs. The contract now takes a composed post with a required reviewer, a cited source entry and a consent basis. A post carrying none of those is refused. Absence of objection is not consent, and in an audit trail an unfaithful post looks exactly like a faithful one -- the defence is that a human read it, the source is named, and both are recorded. The first experiment is rebuilt accordingly. The old competition asked how to fit a whole entry into Telegram; that question no longer exists. The new one asks whether the portrait earns the 3072 characters of caption limit it costs, which is a delivery question this interface actually owns. Competition over editorial voice belongs to the campaign and runs on the per-variant engagement this interface reports. Adds T05b (composition and review), T05c (consent basis for the 94 existing participants, blocking public publication) and T11 (extracting the campaign into pr-hall-of-helix). Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> Claude-Session: https://claude.ai/code/session_014KmVxhJ35tCo7rE7UnLwWu Assistant: claude-code Assistant-Model: opus Assistant-Process: 1116572@bnt-lap001 Assistant-Session: 8ba9bb93-a72a-4883-b189-2499cce5c400
2026-09-04 11:57:28 +02:00
| `ATTACH_VISUAL` | Whether this revision attaches the portrait (R-2 true, R-3 false) |
One adapter instance serves one channel. The private test channel and the public
channel are separate instances with separate configuration, which is what keeps
a test publication from reaching subscribers by accident.